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ONE:��I know you are French, Madame,�� he muttered with embarrassment. TWO:as she sang these words she laid her hand upon [61] her heart and, turning to the Queen��s box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte d��Artois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the King��s carriage with a gun upon his shoulder. THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said��

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